P5. Omega Seamaster GMT -- Garden Flower Series Hua Hin(8) -- December 2001
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Omega Seamaster GMT |
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Photos by Kritaya Lamsam & Reto Castellazzi |
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| Camera: | Nikon Coolpix 995 |
| Light: | Natural daylight, morning 09:15 AM |
| Setup: | Natural
background as found in the garden, slight re-arrangement of flower blossoms, no tripod, reflection screens etc. used |
| 8 pictures | |
About this Series, Monday, December 30th,
2001
Do you see how the beach looked that morning? And how should we shoot a
beach series now? Well, I shot a beach
series later on the same day, but it was pretty tough, since the wind did
not really calm down a lot.
A new helper in our team!
Reya joined us as a assistant art director in this series. I told her
"Now find the most beautiful flowers - we will use them as a background to
photograph this watch!". And Reya would run off and scan the garden for
nice blossoms "Here Daddy, those are beautiful".
Of course this new strategy had also another goal: to keep Reya a bit further
away from the shooting. One of the biggest obstacles of the previous series was,
that she was always very close to the 'stage'. With her natural curiousity
(definitely inherited from the Swiss Grandmother) she had to be close to
the watch to see what this was all about. If you watch the pictures closely, you
will see some pink reflections, guess where the originate from, well, the new
strategy did not work 100% yet ;-)
This is how the Beach had looked that
Morning
No way, we could have shot a beach series. The wind was strong and there
was high-tide. And I still have not replaced the battery on my SEIKO Tidal
watch. Otherwise I could have checked the tide roughly from the convenience of
the living room.

New experience: use plant leaves as
reflection screens or try to use reflections artistically
This was our first series using plants as backdrops. Interestingly, one
could use the plants quite easily to avoid glare on the crystal. Or one could
make use of the reflections and try to match them with the background. There is
a shot towards the end of the series that tries to make use of the 'zebra
reflection' of the appartment building.